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The Gathering: A Novel, by Anne Enright
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A dazzling writer of international stature, Anne Enright is one of Ireland’s most singular voices. Now she delivers The Gathering, a return to an intimate canvas and a moving, evocative portrait of a large Irish family haunted by the past. The nine surviving children of the Hegarty clan are gathering in Dublin for the wake of their wayward brother, Liam, drowned in the sea. His sister, Veronica, collects the body and keeps the dead man company, guarding the secret she shares with him—something that happened in their grandmother’s house in the winter of 1968. As Enright traces the line of betrayal and redemption through three generations, she shows how memories warp and secrets fester. As in all Enright’s work, her distinctive intelligence twists the world a fraction, and gives it back to us in a new and unforgettable light.
- Sales Rank: #1239591 in Books
- Published on: 2007-11-28
- Original language: English
- Number of items: 1
- Dimensions: .93" h x 7.09" w x 8.49" l,
- Binding: Hardcover
- 272 pages
Amazon.com Review
Amazon Significant Seven, November 2007: Pretty early on in The Gathering you realize that in her lingering portrait of the Hegarty clan (and this isn't hyperbole--they are a family of 12), Irish novelist Anne Enright will wrestle with all the giant literary tropes that have come before her. Family, of course, is the big one, but with equal intensity she explores death and dying, the sea and its siren song, sex, shame, secrecy, unreliable memories, madness, "the drink," and--always in the shadows--England. That said, it's not like any other novel about the Irish that I've read. The story of the Hegartys is indeed bleak, and hard, but it surges with tenderness and eloquent thought which, in the end, are the very things that help this family (or at least her narrator Veronica) survive. Through her eyes, and in Enright's skillful imagination, those small turning-point moments of life that we all know in some form or another--a petty fight, a careless word, an event witnessed--come together in an unshakeable vision of how you become the person you are. --Anne Bartholomew
From Publishers Weekly
In the taut latest from Enright (What Are You Like?), middle-aged Veronica Hegarty, the middle child in an Irish-Catholic family of nine, traces the aftermath of a tragedy that has claimed the life of rebellious elder brother Liam. As Veronica travels to London to bring Liam's body back to Dublin, her deep-seated resentment toward her overly passive mother and her dissatisfaction with her husband and children come to the fore. Tempers flare as the family assembles for Liam's wake, and a secret Veronica has concealed since childhood comes to light. Enright skillfully avoids sentimentality as she explores Veronica's past and her complicated relationship with Liam. She also bracingly imagines the life of Veronica's strong-willed grandmother, Ada. A melancholic love and rage bubbles just beneath the surface of this Dublin clan, and Enright explores it unflinchingly. (Sept.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
The Gathering, Irish author Anne Enright�€™s fourth novel, displays the author�€™s exceptional skill at exposing dysfunctional family dynamics and the hollow pretense of middle-class life in newly affluent, postmodern Ireland. Her light, elegant prose and rich portrait of the Hegartys�€"of Veronica, in particular�€"won praise from the critics. While recognizing that some readers may find the story lacking in plot, they applauded the depth and intensity of this "slow deconstruction of memory and self" (Los Angeles Times). Bleak and unsentimental, Veronica�€™s interior dialogues are nevertheless lyrical and clever. Though at times Enright may strain to encompass too much of the Irish experience, critics generally agreed that this dark, evocative novel was a worthy recipient of the 2007 Man Booker Prize.
Copyright � 2004 Phillips & Nelson Media, Inc.
Most helpful customer reviews
1 of 1 people found the following review helpful.
All the gray of Ireland past
By mrthinkndrink
The appeal of this work by Enright is dependent entirely on the interests and disposition of the reader. It is thoughtful, layered, sincere and a great bore of a story. Should you be a fan of interior monologue, of extended ruminations and the self-reflections of a not particularly interesting woman, one who has been constrained by society? family? circumstance? her own lack of drive or energy or enthusiasm? from living, or even stepping, outside the lines, a woman who seems ready to convince herself that her failings stem from a sibling's secret molestation at the hands of a family friend many years earlier, then you will likely enjoy the read. It touches on sex and society and longing and restraint in Ireland from the 1960s through the end of the 20th century.
On the other hand, if you prefer the dynamism inherent in the work of so many other Irish writers, the call to emotion, to action, be it for or against, the willingness to explore and commit that colors the great characters, and plots, of Irish literature, you'd best avoid this "woe is me" snoozer. It's hard to imagine the workings of the Man Booker committee that considered this the best of 2007. Enright herself called the book "the intellectual equivalent of a Hollywood weepie," and, though "intellectual" is a bit self-serving, the "Hollywood weepie" is dead on..
0 of 0 people found the following review helpful.
Magnificent!!
By Good Books Only!
This book is a masterpiece. Yes, as many reviewers noted, it is purely a literary piece. So if you are not up for that, it's not for you. Great swaths of the story erupt, in actuality, as long, magnificent poems. Poems of prose. Likely this would not have been the intent of the author, except secondarily, perhaps. But the writing is that good. It is incredible, evocative brilliance. Word smithing in its best light. Yes, the theme of a dysfunctional Irish family spanning the second half of the 20th century (with its rooted fate taking form in the first half) can be an over-worked and tired premise. But this story broke free of any such premise, and from every unintended theme. This is work of mining the soul, an exposition of the fabric of one person's past, pain, and makings. And the clever, persistent inability of memory, or perhaps truth-bearing, to serve us properly in the wake of trauma. Enright makes these revelations, through her main character, in raw, intimate, and inimitable strokes of language that are layered, gorgeous, metaphorical, and masterful. It's not so much about the story; it's about the language, the words, the ability to express deep, truthful, savory, layered human experience through poetic labors - that's what this book is. What a writer. Breathtaking. Bravo, Ms Enright... Bravo!!
1 of 1 people found the following review helpful.
This is not a comfortable book; it is an honest
By phyllis
At first I was very put off by the book because I was lost. I didn't know what had to do with what. But what made me stay with the book is the incredible power of the writing and the dark humor. There are lines in this book that almost make me cry because they are said so movingly. Once I realized what was going on (and I wish we knew a little earlier), then all hell broke lose in my head. This is not a comfortable book; it is an honest, accurate, very real book. The confusion of the narrator in terms of her own abuse was written by someone who obviously knew what she was writing about. A beautiful but sad book which I will remember a long time.
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