Jumat, 28 Februari 2014

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Palmistry begins with the obvious and proceeds, by innumerable intricate steps of judgement and interpretation, to extreme details of the palm. Conclusions can be made from a palmistry reading that can provide you with answers to questions you have regarding your life. A palmistry reader can interpret aspects of a persons life by reading the lines of palmistry.A serious palmistry practitioner will begin by examining both hands: with a right-handed subject the left hand is considered the 'birth hand', which shows inherited predispositions of character, while the right hand is thought to reflect individuality, flexibility and potential. For the left-handed subject the opposite would be true. For thousands of years now, people have relied on it to prepare themselves for what's to come, to improve their lives and aspects of it like career or business, family, fame, success, relationships, and love life. Up to now, there are still people who refuse to believe in fortune telling but it is also now much easier to make them see and experience its wonders. The very fact that palmistry is now classified as a branch of science just goes to show that it does not just fall within the mysterious and unexplained. Those who express doubts can take a closer look to realize that it is indeed a comprehensive study using accumulated knowledge that has been tested way back.

  • Sales Rank: #6668120 in Books
  • Published on: 2013
  • Dimensions: .50" h x 7.50" w x 9.60" l, 1.00 pounds
  • Binding: Hardcover

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Selasa, 25 Februari 2014

[T577.Ebook] Ebook Download Art in Crisis: The Lost Center (Library of Conservative Thought), by Hans Sedlmayr

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Art in Crisis: The Lost Center (Library of Conservative Thought), by Hans Sedlmayr

The history of art from the early nineteenth century on- ward is commonly viewed as a succession of conflicts between innovatory and established styles that culminated in the formalism and aesthetic autonomy of high modernism. In Art and Crisis, first published in 1948, Hans Sedlmayr argues that the aesthetic disjunctures of modern art signify more than matters of style and point to much deeper processes of cultural and religious disintegration. As Roger Kimball observes in his informative new introduction, Art in Crisis is as much an exercise in cultural or spiritual analysis as it is a work of art history. Sedlmayr's reads the art of the last two centuries as a fever chart of the modern age in its greatness and its decay. He discusses the advent of Romanticism with its freeing of the imagination as a conscious sundering of art from humanist and religious traditions with the aesthetic treated as a category independent of human need. Looking at the social purposes of architecture, Sedlmayr shows how the landscape garden, the architectural monument, and the industrial exhibition testified to a new relationship not only between man and his handiwork but also between man and the forces that transcend him. In these institutions man deifies his inventive powers with which he hopes to master and supersede nature. Likewise, the art museum denies transcendence through a cultural leveling in which "Heracles and Christ become brothers" as objects of aesthetic contemplation. At the center of Art in Crisis is the insight that, in art as in life, the pursuit of unqualified autonomy is in the end a prescription for disaster, aesthetic as well as existential. Sedlmayr writes as an Augustinian Catholic. For him, the underlying motive for the pursuit of autonomy is pride. The "lost center" of his subtitle is God. The dream of autonomy, Sedlmayr argues, is for finite, mortal creatures, a dangerous illusion. The book invites serious analysis from art critics and theological thinkers alike.

  • Sales Rank: #410523 in Books
  • Brand: Roger Kimball
  • Published on: 2006-11-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .73" w x 5.98" l, 1.15 pounds
  • Binding: Paperback
  • 324 pages
Features
  • Art in Crisis The Lost Center

About the Author

Hans Sedlmayr (1896-1984) was a founding member of the New Vienna School of art historians. His books include The Architecture of Borromini, The Revolution of Modern Art, and Austrian Baroque Architecture.
 



Roger Kimball is co-editor and publisher of The New Criterion, president and publisher of Encounter Books, and an art critic for the London Spectator and National Review.

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1 of 1 people found the following review helpful.
A scathing critique of radical autonomy in the arts
By Michael M.
Sedlmayr contrasts autonomous art with what he calls "composite" works of art. For example, a cathedral as a composite work of art is necessarily a group effort on behalf of many people. The project can only be carried out successfully when all of the various mediums used (architecture, sculpture, painting etc) remain cohesive through the application of shared formal elements. On the contrary, an autonomous work of art attempts to shed the elements that would unite it with other works and radically reduces to "pure" form or even no form at all. Unfortunately, many people that comment on Sedlmayr falsely claim that he advocates a solution to the problems associated with radical autonomy by making a conservative return to a previous time and era within the arts (like the neo-classical movement etc) This couldn't be further from the case and he actually ridicules several "historical" attempts of this type that were mistakenly made in the past.

6 of 8 people found the following review helpful.
Art as a symptom of spiritual crisis
By Patrick Stenberg
All art is an expression of the orientation towards or away from God. This perspective gives Sedlmayr's account immense explanatory power. Tracing the evolution of the arts from the Baroque to the Modern era, Sedlmayr shows how the movements of today diagnose a profound crisis in Man's relationship with the divine. The Baroque produced composite works of art that expressed an essentially unitary vision of Man as a creature of God. The Nineteenth and Twentieth Centuries saw the separation of reason and heart and the development of increasingly isolated and specialized forms, an architecture governed by the cold laws of geometry rather than human needs, styles of 'pure' drawing that incorporated the techniques of draughtsmanship, purist attempts in painting to capture perception without contamination from mental constructs (e.g. Cézanne). The movement is thus inexorably toward a denial of God and an exaltation of human autonomy that ultimately denies the integrity and inviolability of the human person, as borne out by the emergence of movements such as Dadaism and Surrealism in the Twentieth Century. I would recommend reading this in conjunction with Philip Rieff's Sacred Order/Social Order trilogy.

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Transforming Worldviews: An Anthropological Understanding of How People Change, by Paul G. Hiebert

In the past, changes in behavior and in belief have been leading indicators for missionaries that Christian conversion had occurred. But these aloneor even togetherare insufficient for a gospel understanding of conversion. For effective biblical mission, Paul G. Hiebert argues, we must add a third element: a change in worldview. Here he offers a comprehensive study of worldviewits philosophy, its history, its characteristics, and the means for understanding it. He then provides a detailed analysis of several worldviews that missionaries must engage today, addressing the impact of each on Christianity and mission. A biblical worldview is outlined for comparison. Finally, Hiebert argues for gospel ministry that seeks to transform people's worldviews and offers suggestions for how to do so.

  • Sales Rank: #264653 in Books
  • Published on: 2008-05-01
  • Released on: 2008-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .83" w x 6.00" l, 1.31 pounds
  • Binding: Paperback
  • 368 pages

From the Back Cover
"Transforming Worldviews is, in many respects, the capstone of Paul Hiebert's work. This book provides valuable insights for all people who engage in God's mission in the varied contexts of the world in this century. It is Hiebert at his best. A superb contribution to missiology. A lasting legacy!"--Tite Ti�nou, Trinity Evangelical Divinity School

"Transforming Worldviews is Hiebert at his best! For the first time, all of his major missiological insights--from set theory in church growth to the flaw of the excluded middle to critical contextualization--are integrated into a single volume. Transforming Worldviews, in which Hiebert wrestles with one of the most difficult concepts for us to understand and explain, is a fitting exclamation point to a career in which some of the most important evangelical missiological thinking of the late twentieth and early twenty-first centuries was done."--A. Scott Moreau, Wheaton College; editor, Evangelical Missions Quarterly

"Paul's wide-ranging scholarship, profound faith in Jesus Christ, deep insight, creative thinking, and wholehearted commitment to world evangelization are all evident here. Paul is a mentor, teacher, and guide to all of us involved in thinking about the mission of the church. This book is a wonderful example of his stimulating thought. Everyone interested in communicating the gospel among today's multiplicity of cultures will want to listen to what Paul Hiebert says in this book."--Charles Van Engen, Fuller Theological Seminary; founder and president of Latin American Christian Ministries

"The late Paul Hiebert's work on worldviews is mission anthropology at its best. This book is his final testimony to the centrality of worldview transformation at the heart of biblical conversion. It is an instant classic--clear, readable, useful, and compelling."--Dana L. Robert, Boston University School of Theology

"If you could pick one missiologist to sort out the tangled nest that surrounds the word/concept 'worldview,' it would be Paul Hiebert. In Transforming Worldviews, Hiebert does not disappoint. Once again he surveys the landscape majestically, explains clearly, and proposes wisely and faithfully."--Terry C. Muck, Asbury Theological Seminary

About the Author
Paul G. Hiebert (1932-2007) was distinguished professor of mission and anthropology at Trinity Evangelical Divinity School and previously taught at Fuller Theological Seminary. He also served as a pastor and missionary to India. He received his PhD from the University of Minnesota and was the author or coauthor of numerous articles and books in the fields of anthropology and missions.

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49 of 51 people found the following review helpful.
A fantastic and important work
By Michael K. Severe
Transforming worldviews covers a full range of anthropological ideas and applies them to the concept of worldview. Scholarly in nature, its tone is readable and it applies important and diverse disciplines and concepts to thinking about worldview. This book is a major contribution. It is not just discussion of worldview but how worldviews are formed, how they may be critiqued and how they can be transformed. Very interesting discussions and applications of modernism, postmodernism, semiotics (sign theory), cultural analysis, and "glocalization." Plenty of illustrations and charts that assemble, systematize, illustrate and make understandable a vast array of information.

This book broke away from the typical simple and unhelpful discussions of worldview and places it within its scholarly debate and research. Hiebert deftly applies worldview to Christian missions and church work. He offers significant and helpful insights into ourselves and our culture as well as ways to engage and change.

Personally this work challenged my perceptions of worldview, knowledge and culture while introducing me to many new disciplines and concepts.

13 of 13 people found the following review helpful.
Easier Said than Done
By M. Edwards
Out of the 30 books I've read so far this year and the 6 or 7 of a theological/missiological nature, this is the meatiest of all (It's probably also one of the fattest at 333 pages). I would highly recommend it not just for Christian international workers, but especially for North American pastors and Christian workers as well, as all too often we are completely blind to the assumptions that lie behind our worldviews as they persist unchallenged in our host cultures.

Beginning with the concept and characteristics of worldviews, the late Dr. Hiebert then moves on to discuss worldviews of small-scale oral societies, peasant societies, modern and postmodern worldviews, and finally, the "glocal" worldview. He then sums up by discussing what a biblical worldview is and how worldviews are transformed.

I found Hiebert's treatment of what he calls "critical realism" (as opposed to positivism and instrumentalism) to be one of many nuggets in the book. Simply put, there must be a great measure of correspondence between the world outside and the worlds we construct inside for us to survive in the world. Human knowledge does not consist of photographs of reality (as positivism suggests) or of collages (as instrumentalism affirms) but of montages and maps that can be tested to determine their truthfulness.
The pictures on pages 318-319 vividly illustrate how different configurations can be imposed on the raw data of our experiences and how people grow in their perception of worldview. The short discussion in the last chapter on people movements and "muliti-individual" conversions was also something I can continue to keep in my mind in my ministry context here.

I am reminded that our role as agents of change is "neither that of the conservative nor that of the anarchist" but that of a subversive agent - to seek to transform worldview gradually from within and to bring people back under the allegiance of the true Lord (p. 322). One way to transform worldviews in the resistant rural society where I am presently living (which reflects aspects of all of the worldviews listed above) might be in focusing to bring change to the families of foreign brides, to help them find stability as entire families are discipled in Jesus Christ.

Certain parts of this book were a little tedious to wade through, and large sections dealing with modernity and postmodernity were expanded treatments of what I learned before from other books and from Hiebert's fellow Trinity professor Tite Tienou 20 years ago when he was at Alliance Theological Seminary. Nevertheless, as I fan through the pages of the book again now I see I underlined multiple sentences on almost every page. Although it will take some time for you to get through, this book will definitely challenge you to think!

Once curiosity that caught my attention is that apparently neither in the chapter about the biblical worldview, nor anywhere else, does Hiebert seem to address the topic of hell. This may be because he prefers to talk in relational and fuzzy categories rather than intrinsic and digital sets (read the book if you do not understand what these terms mean) and in turning away from idols and turning always each day toward the Lord (e.g. "does Jesus remain the ultimate reference point in our understanding of the kingdom? p. 279). Nevertheless, I found the apparent absence of any reference to hell a bit curious.

My only other complaint is that this book does not really talk about how to transform worldviews, as the topic suggested. This is not a how-to book. Wouldn't it be wonderful if the process was that easy?

3 of 3 people found the following review helpful.
Important tool for understanding our own and other worldviews
By Tim Lubinus
Transforming Worldviews is a must read for anyone working or living cross-culturally. Worldview analysis is necessary for understanding and communicating in a new culture. This understanding only comes with careful analysis and reflection, not just more time spent overseas. It is possible to have vast experience living cross-culturally, but still have little understanding of the underlying worldview of that culture.

The first step is to acknowledge how our own worldview (fundamental cognitive, affective, and evaluative presuppositions a group of people make about the nature of things, and which they use to order their lives) interprets and distorts our understanding of other worldviews. It is as if we have a set of glasses permanently affixed to our face through which we interpret all the data that we observe. Because of this, we can not be a neutral observer of other cultures and their worldview.

In Transforming Worldviews, Hiebert helps readers to understand the concept, function, and characteristics of worldviews while coloring his explanations with examples of people interpreting the same data differently because of their worldview discrepancies. When communicating cross-culturally, we need to understand these differences, or we may find that though we have given information clearly based on our worldview, the listener's world view causes him to get a different understanding than we may intend. With fundamental differences in the understanding of creation, time, history, purpose, cause and effect, etc. it is very difficult to get a clear understanding about beliefs and behavior. At times missionaries have focused on transforming a person's beliefs and behavior and later found that, if the worldview is not also transformed, instead of embracing biblical faith, he may have only altered behavior and added Jesus to a list of gods.

After Hiebert gives an explanation of some methods of analyzing worldviews, he explores small-scale oral societies, peasant world views, the modern worldview, the worldview of late modernity (or post-modernity) and post-postmodern or Global Worldview. These chapters are outstanding and valuable for anyone working to understand their own worldview, divergent worldviews in your own culture, or who want to work cross-culturally.

Finally Hiebert described and analyzed a biblical worldview and gave steps to help people as they are transformed in their worldview, beliefs, and actions by their encounter with Jesus Christ. I recommend this book to anyone who would like to use worldview analysis in order to better understand how people think and process information in order to communicate more clearly and accurately.

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Kamis, 20 Februari 2014

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  • Sales Rank: #125852 in eBooks
  • Published on: 2016-10-03
  • Released on: 2016-10-03
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
One Star
By Gelwicks
Item just ok, worth about .50, to $1.00

2 of 2 people found the following review helpful.
Five Stars
By Allison williams
Love it

1 of 1 people found the following review helpful.
Over all good.
By White Beard
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Jumat, 14 Februari 2014

[N142.Ebook] Free PDF The Writer's Guide to Fantasy Literature: From Dragon's Lair to Hero's QuestFrom Kalmbach Publishing Co.

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The Writer's Guide to Fantasy Literature: From Dragon's Lair to Hero's QuestFrom Kalmbach Publishing Co.

The Writer’s Guide to Fantasy Literature offers an overview of the main styles of fantasy, with scores of practical tips and techniques, along with examples of great fantasy writing from today’s best mythic-fiction writers. This thoughtful guide will help you navigate your way from dragon’s lair to hero’s quest—on your personal path to success! Get advice on generating ideas, tips on planning, writing and revising, and how to submit your work for publication. Step inside and learn techniques from the experts like Joan Aiken, Peter S. Beagle, Ursula Le Guin, Terry Pratchett, and Jane Yolen. If you ever wanted to try your own hand at writing spellbinding tales of wonder, here is a wealth of advice from some of the all-time masters of the field!

  • Sales Rank: #1581461 in Books
  • Published on: 2002-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .61" h x 7.04" w x 8.98" l,
  • Binding: Paperback
  • 192 pages

From Library Journal
Most books for fantasy writers blend that genre with sf, but this work is an exception. Unfortunately, the entire first chapter (of 12) is devoted to "Pottermania," including "Eight Reasons Why Harry Is a Success," and a large amount of space is devoted (although more deservedly so) to J.R.R. Tolkien. The book offers little concrete instruction for writers, the most practical advice being found in five pages of the final chapter ("Submitting Your Work for Publication"); otherwise, most instruction is done by pointing to passages by successful authors. Included are such masters of fantasy literature as C.S. Lewis, Ursula Le Guin, and T.H. White, as well as peripherally related writers like Joseph Campbell and nongenre writers like John Steinbeck. This admittedly "inclusive" and "nonacademic" approach is overly generous at times. The slim volume doesn't dally with any one work, with the exception of Harry Potter, and can give the impression of rush and disorder; but the ten interviews with prominent fantasy writers do offer valuable insights. This guide provides a decent overview of an overlooked genre until a more thorough and organized treatment comes along. Recommended for academic libraries supporting broad writing programs and all public libraries. Angela Weiler, SUNY at Morrisville Lib.
Copyright 2002 Cahners Business Information, Inc.

Review
"The majority of its tips, and techniques would apply to the writing of science fiction, historical fiction, or genre novels!" -- The Midwest Book Review, January 2002

"Truly inspiring and insightful "must-read" for anyone looking to improve their fantasy writing." -- The Midwest Book Review, January 2002

“A genuinely valuable book, intelligently assembled and edited.” -- Peter S. Beagle, World Fantasy Award winner

“I hope lots of young writers find this book; it has some very sensible advice.” -- Patricia A. McKillip [World Fantasy Award winner]

“Rich with insights, it’s the best and most reliable guide to a multi-faceted and powerful literary genre.” -- Lloyd Alexander, [Newbery Award winner]

About the Author
Philip Martin is the editor of The Writer's Guide series (connected to The Writer magazine, founded 1887), offering resources on how to write well and succeed professionally. He is a folklorist, author, and editor of award-winning books on cultural traditions.

Most helpful customer reviews

41 of 41 people found the following review helpful.
The zen of writing fantasy literature
By Gary Riley
I was expecting much more of a nuts and bolts book on writing fantasy, but a lot of the material in the book seemed targeted toward having a better appreciation of fantasy or what's required to write it, rather than the actual mechanics of writing. I enjoyed reading the book anyway, but it was not entirely what I had expected. The first part of the book introduced the concept of fantasy literature. I found Chapter 1, which analyzed the popularity of the Harry Potter series, to be very interesting. Chapter 2 introduced the general concept of fantasy literature and Chapter 3 categorized fantasy literature into five types with an accompanying essay or interview for each type. Although interesting, Chapter 3 was probably the weakest section of the book. The interviews, often about a single book the author wrote, were not the most effective means for conveying information. The second part of the book addressed the story itself. Chapter 4 discussed character development and was fairly informative, although like most of the book about a third to a half of the material are passage quotations from fantasy books. The two contributed portions of this chapter were not as informative as the material written by the author. Chapter 5 was similar in content and quality, but addressed places rather than characters. Chapter 6 discussed common themes often found in fantasy-such as magic, riddles, and prophecies-and also included two author interviews. Chapter 7 addressed plot and common story lines in fantasy literature and also included an interview and contributed article. The third part of the book addressed many of the mechanics of the writing process. Chapter 8 discussed generated ideas; Chapter 9 discussed the mechanics of the layout and order of which chapters to write first; Chapter 10 discussed how to set goals and remain motivated in the writing process; Chapter 11 discussed revising material; and Chapter 12 discussed submitting your work for publication. This last chapter was the only one in this part that included contributed material. I particularly enjoyed the interview with Terry Pratchett and the article by Ray Bradbury. The fourth part of the book included some reference material: publisher addresses and web/print references. Overall, as a 'How To' book for writers I give this book four stars. While all of the material was interesting, the usefulness of it was uneven. Betters books are "Worlds of Wonder" by David Gerrold or "How To Write Science Fiction & Fantasy" by Orson Scott Card. However, if you love fantasy and just want a better appreciation of what goes into writing it, then this book is definitely five stars.

11 of 16 people found the following review helpful.
A truly inspiring and insightful "must-read"
By Midwest Book Review
Philip Martin's The Writer's Guide To Fantasy Literature: From Dragon's Lair To Hero's Quest is a collection of informative essays specifically written to help both aspiring and established writers improve the quality of their work, and create fantasy worlds to suspend disbelief and capture the imagination. Essay contributors include such notable talents as Patricia A. McKillip, Jane Yolen, Ursula K. LeGuin, and Peter S. Beagle. Chapters and essays cover such issues as generating ideas, constructing a coherent plot, and enhancing settings with your own brand of magic. The Writer's Guide To Fantasy Literature is a truly inspiring and insightful "must-read" for anyone looking to improve their fantasy writing - and the majority of its tips, tricks, and techniques would also apply to the writing of science fiction, historical fiction, or genre novels of any sort!

7 of 10 people found the following review helpful.
Advice from the Professionals
By Amazon Customer
This is a collection of essays and interviews from various fantasy authors. They share their views, thoughts, and techniques about writing fantasy. This is a book for people who want to learn from professional and successful fantasy authors.

I enjoyed this book because I was interested in what these authors had to say about fantasy. They gave very helpful advice about writing. I thought this book was very informative about the field of fantasy. It covers everything from generating ideas for novels to sending novels to publishers.

If you want to learn from the pro's, this is the book for you.

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[W132.Ebook] Download Fit and Well: Core Concepts and Labs in Physical Fitness and Wellness, by Thomas D. Fahey

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Fit and Well: Core Concepts and Labs in Physical Fitness and Wellness, by Thomas D. Fahey

Book by Fahey, Thomas D.

  • Sales Rank: #7139403 in Books
  • Brand: Brand: Mayfield Publishing Company
  • Published on: 1997-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.75" h x 8.50" w x .75" l, .0 pounds
  • Binding: Hardcover
  • 31 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
mind expanding book
By A Customer
This book expands the mind and stimulates the brain

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Kamis, 13 Februari 2014

[P784.Ebook] Ebook Free A Horse Walks into a Bar: A novel, by David Grossman

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A Horse Walks into a Bar: A novel, by David Grossman

The acclaimed author of To the End of the Land now gives us a searing short novel about the life of a standup comic as revealed in the course of one evening's performance--comedy that will lean inexorably toward tragedy.

In a little dive in a small Israeli city, Dov Greenstein, a comedian a bit past his prime, is doing a night of standup. In the audience is a district court justice, Avishai Lazar, whom Dov knew as a boy, along with a few others who remember Dov as the awkward, scrawny kid who walked on his hands to confound the neighborhood bullies. Gradually, teetering between hilarity and hysteria, Dov's patter becomes a kind of memoir, taking us back into the terrors of his childhood--his beautiful flower of a mother, a Holocaust survivor in need of constant monitoring; his punishing father, a striver who had little understanding of his creative son. Finally, recalling his week at a military camp for youth--where Lazar witnessed what became the central event of Dov's childhood--Dov describes the indescribable while Lazar wrestles with his own part in the comedian's story of loss and survival. A beautiful performance by Grossman (jokes in questionable taste included).

  • Sales Rank: #186882 in Books
  • Published on: 2017-02-21
  • Released on: 2017-02-21
  • Format: Deckle Edge
  • Original language: English
  • Dimensions: 8.25" h x .63" w x 5.63" l, .87 pounds
  • Binding: Hardcover
  • 208 pages

Review
Priase for A Horse Walks into a Bar

"Grossman brings real humanity to this heart-wrenching and well-written novel, offering insight into one man’s psychological makeup and how society has damaged him. An excellent translation; highly recommended." —Lisa Rohrbaugh, Library Journal

Praise from the UK

“A polemic of unusual power . . . Shocking, raw, and eloquent. . . Grossman has pushed down deep into the wounded heart of a despairing man . . . A Horse Walks into a Bar is unlike anything Grossman has yet done. —Eileen Battersby, The Irish Times

“Grossman’s latest offering is a short, shocking masterpiece . . . in which absurdity and humour are used to probe the darkest corners of the human condition . . . It is a tale of nerve-shredding psychological and spiritual torture, the kind of story that is so dark that the only defence against it is darker laughter.” —Adam Lively, The Sunday Times (London)
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“It takes an author of Mr. Grossman’s stature to channel not a failed stand-up but a shockingly effective one . . . This book feels far removed from Falling out of Time . . . Both books, however, circle around dramatic acts of mourning: the first as lyric tragedy, the second as pitch-black comedy.” —Jonathan Cape, The Economist

Praise from Europe

"Literature at its highest, and most enchanting." —Il Mattino (Italy)

"Grossman has written a beautiful and hypnotizing book, on the friction between tragedy—both personal and collective—and life, which must go on." —Il Messaggero (Italy)

"A psychological, intimate chamber drama whose choreography and eloquence captivate and pain the reader in equal measure . . . By the end, the book not only radiates humanity but demands it as well." —Leipziger Volkszeitung (Germany)

"A magnificent book about the different levels of being that we carry within ourselves." —Le Monde (France)

"Resonant of Dostoyevsky and Kafka . . . The novel is not about one man alone; its significance lies in the exposure of the failings of humanity. We knew that stand-up comedy is inflammatory, but we didn't know that it can reveal the flames of hell." —Transfuge (France)

About the Author
DAVID GROSSMAN�was born in Jerusalem. He is the author of numerous works of fiction, nonfiction, and children's literature. His work has appeared in The New Yorker and has been translated into more than forty languages. He is the recipient of many prizes, including the French Chevalier de l'Ordre des Arts et des Lettres, the Buxtehuder Bulle in Germany, Rome's Premio per la Pace e l'Azione Umanitaria, the Premio Ischia--international award for journalism, Israel's Emet Prize, and the Albatross Prize given by the G�nter Grass Foundation.

JESSICA COHEN�was born in England, raised in Israel, and now lives in the United States. She has translated contemporary Israeli fiction, nonfiction and other creative works, including David Grossman's To the End of the Land.

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Selasa, 11 Februari 2014

[I343.Ebook] Download PDF What the Early Christians Believed About the Difference Between the Spirit and Soul, by David Bercot

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What the Early Christians Believed About the Difference Between the Spirit and Soul, by David Bercot

Most of us have been taught that the man's soul and spirit are the same. We have also been told that we are unable to do good in our human state—without being born again. But is this true? The Scriptures talk about body, soul, and spirit. The early Christians believed that fallen man can still do good because of our spirit, which reflects the consciousness of God in man. A very different way of looking at the nature of man--in contrast to the Augustinian/Calvinist view.

  • Sales Rank: #519490 in eBooks
  • Published on: 2015-12-10
  • Released on: 2015-12-10
  • Format: Kindle eBook

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Jumat, 07 Februari 2014

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  • Sales Rank: #8389077 in Books
  • Published on: 2002
  • Binding: Paperback

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Senin, 03 Februari 2014

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  • Published on: 2006
  • Format: Audiobook
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