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Some Girls, Some Hats and Hitler: A True Love Story Rediscovered, by Trudi Kanter

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Some Girls, Some Hats and Hitler: A True Love Story Rediscovered, by Trudi Kanter

The astonishing true journey of�Trudi Kanter, an Austrian Jew, whose courage, resourcefulness,�and perseverance kept both her and her beloved safe�during the Nazi invasion is a rediscovered masterpiece.

“ FOR EVEN IN NAZI VIENNA, Trudi realized, women still looked in the mirror. . . . She knows that even in the bleak darkness, we feel, love, desire. She left no child (she and Walter tried, with no success); her hats are long lost, but her book is her legacy, discovered once again.” —From the introduction by Linda Grant, a uthor of The Clothes on Their Backs, The Thoughtful Dresser and We Had It So Good

In 1938 Trudi Kanter, stunningly beautiful, chic and charismatic, was a hat designer for the best-dressed women in Vienna. She frequented the most elegant caf�s. She had suitors. She flew to Paris to see the latest fashions. And she fell deeply in love with Walter Ehrlich, a charming and romantic businessman. But as Hitler’s tanks rolled into Austria, the world this young Jewish couple knew collapsed, leaving them desperate to escape.

In prose that cuts straight to the bone, Some Girls, Some Hats and Hitler tells the true story of Trudi’s astonishing journey from Vienna to Prague to blitzed London seeking safety for her and Walter amid the horror engulfing Europe. It was her courage, resourcefulness and perseverance that kept both her and her beloved safe during the Nazi invasion and that make this an indelible memoir of love and survival.

Sifting through a secondhand bookshop in London, an English editor stumbled upon this extraordinary book, and now, though she died in 1992, the world has a second chance to discover Trudi Kanter’s enchanting story. In these pages she is alive—vivid, tenacious and absolutely unforgettable.

  • Sales Rank: #1196766 in Books
  • Published on: 2012-10-09
  • Released on: 2012-10-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x .90" w x 5.63" l, .80 pounds
  • Binding: Hardcover
  • 272 pages

From Booklist
Kanter’s jaunty title reflects the unusually breezy nature of this Holocaust-era memoir. The author, a Jewish hatmaker, recalls her efforts to flee Nazi-occupied Vienna with her beloved paramour in tow. While the inherent danger of the situation creates a compelling subtext that strengthens the narrative, Kanter’s often matter-of-fact tone and her keen observations about men, fashion, and sex are a reminder that many seemingly insignificant yet entirely human facets of life go on despite the cruel realities of imminent warfare. From Paris to Vienna to London, Kanter creates a vibrant tapestry of her incredible odyssey through one of the darkest periods in contemporary history. Romance, passion, and peril create an authentically vivid backdrop for this intimate chronicle originally published (and quickly forgotten) in England in 1984. --Margaret Flanagan

Review
“This one memoir is a generous- spirited book. Its many delightful moments, as well as its almost matter-of-fact description of menace and impending danger, stay long in the mind.” (Wall Street Journal)

“What makes the book so instantly mesmerizing is Trudi Kanter herself, who fashioned sentences just the way she fashioned hats as a milliner in late 1930s Vienna—each a dazzling, delicate object of delight.” (Oprah.com, Book of the Week)

“TrudiKanter's memoir is blessed with a wonderful title and an even better backstory…her spirited charm will win you over.” (USA Today)

“In a rediscovered memoir, the charmed life of designer Trudi Kanter is split open as the Nazis claim Vienna and terror reigns. Every Holocaust story is worth remembering, and Trudi's is unique—she refuses to lose her vision of what the world should be at its very best: a place of red roses, Paris avenues, and above all else, true love.” —Alice Hoffman

“There have been many books by and aboutrefugees from the Third Reich…but there can be few if any that manage tocombine terror and death with such sheer frivolity as this engaging memoir….Ms. Kanter’s attraction to the light rather than the storm clouds thatbedeviled so much of her existence makes her book a happy read.” (Washington Times)

“With anatural writing style, a talent for re-creating the details of daily life(especially the fashions), Trudi, who died in 1992, comes alive for the reader,creating what becomes a valuable piece of social history. But more than allthis, her memoir is a poem of love to her husband, to the cities of Vienna andParis, and to a way of life that, in the twinkling of an eye, completelydisappeared.” (Chicago Jewish Star)

“Some Girls,Some Hats and Hitler does not minimize the horrors ofwar or the Holocaust, but through Kanter's delightful hopefulness and spare,riveting writing, it presents an unusual memoir of an era that must not beforgotten.” (Shelf Awareness)

“This Holocaust memoir is more a tale of lovethan a horror story of Nazi-occupied Europe...the words
and imagery flow beautifully.” (Publishers Weekly)

“From Paris to Vienna to London, Kantercreates a vibrant tapestry of her incredible odyssey through one of the darkestperiods in contemporary history. Romance, passion, and peril create anauthentically vivid backdrop for this intimate chronicle.” (Booklist)

“This book is a remarkable, first-hand account of life during the time, andthe importance that fashion played in the survival of Kanter and her lovedones.” (fashionpulsedaily.com)

“In prose that cuts straight to the bone, SOMEGIRLS, SOME HATS AND HITLER tells the true story of Trudi’s astonishing journeyfrom Vienna to Prague to blitzed London seeking safety for her and Walter amidthe horror engulfing Europe…enchanting…In these pages she is alive --- vivid,tenacious and absolutely unforgettable.” (bookreporter.com)

“TrudiKanter relates the emotional roller coaster she was on in attempting to get toEngland with her parents and the love of her life, Walter. The reader sharestheir terror and resultant cycles of inertia, hope and finally galvanization ofemotional resources that Ms. Kanter, her family and friends all brought tobear.” (Jewish Book World)

"Nothing undid beauty and romance like the onslaught of World War II. And yet in Trudi Kanter's elegant memoir Some Girls, Some Hats and Hitler love and grace survive the horror in Western Europe. What an enchanting book. What a gem. I could not put it down.” --Jennifer Gilmore, author of The Mothers and Something Red

"This Holocaust memoir is more a tale of love than a horror story of Nazi-occupied Europe...the words
and imagery flow beautifully." -Publishers Weekly

"Distilled through the lens of a sartorial dignitary, Some Girls, Some Hats and Hitler offers an illuminating chronicle of narrow wartime escapes, calamity, and ingenuity. What makes this account all the more revealing is its candor regarding the persistence of mortal tendencies amid even the most disastrous of situations. Sometimes there is vanity, sometimes jealousy, and often, in the most unexpected of places, beauty of both the aesthetic and human varieties." --Alicia Oltuski, author of Precious Objects

"A fascinating romance, a tribute to the love that beat Hitler." --Daily Post

“A wonderful memoir of a young milliner in pre-World War II Vienna who flees to London with the man she loves when Hitler’s tanks invade. Despite the tragic subject matter, this warm and vividly humorous autobiography is a must for anyone interested in fashion, history – and love.” —Bella

“For even in Nazi Vienna, Trudi realized, women still looked in the mirror….Her book is also about the appetite for life, for clothes and hats, and food, and cocktails, and sex, and furnishings, and good company, and conversation. She knew that even in the bleak darkness, we feel, love, desire. She left no child (she and Walter tried, with no success); her hats are long lost, but her book is her legacy, discovered once again.”

–From the introduction by Linda Grant, author of The Clothes on Their Backs, The Thoughtful Dresser, and We Had It So Good

“Trudi Kanter's memoir is blessed with a wonderful title and an even better back story…her spirited charm will win you over.” (USA Today)

About the Author
Trudi Kanter was born in Austria and moved across Europe as she tried to escape the Nazis. She and her husband finally settled in England, where she first published her memoir. Her story was lost after her death in 1992 but was reintroduced to the world with the publication of Some Girls, Some Hats and Hitler.

Most helpful customer reviews

13 of 13 people found the following review helpful.
What a Smart Lady!
By Cynthia Dunn
The story behind this book is an unusual one. It was printed by a small press, went out of print and was found in a used bookshop and reprinted. The publisher can't even find a copyright holder.

While not the best written of Holocaust memoirs, it does give you a different perspective. Trudi Ehrlich was a well-to-do Jewish milliner in Vienna when she first heard the rumblings from her friends to get out of town. Quickly. Though the life she leads is somewhat trivial in the greater scheme of things, she's really clever and manages to get herself, her husband and her parents to London. I wasn't crazy about her husband, who is in no great rush to leave Austria. He wants to think it over. Luckily for him, he hitched himself to the right woman.

I liked the book but didn't love it. I think if you read this, you should then read "The Hare with Amber Eyes" by Edmund De Waal. It's also about a rich Jewish family in Vienna who lost everything. Beautifully written and extremely informative.

15 of 16 people found the following review helpful.
A Rediscovered Memoir and Love Story from WWII
By Rob Hardy
In March 1938 came the _Anschluss_, the march of thousands of Nazi troops to reclaim Austria for the Fuehrer who had been born there. In Vienna, a witness to the intrusion was Trudi Kanter, a young milliner with a showroom in the city. She was half Jewish, and she was to witness the rampage and the outrages, and she was eventually able to get herself, her husband, and her parents out to safety in England. She brought out a self-published survivor's memoir in 1984, which almost no one seems to have noticed. An editor rediscovered it years ago in a second-hand bookshop, and at last it is going to be noticed. _Some Girls, Some Hats, and Hitler: A True Love Story Rediscovered_ (Scribner) gives Trudi's story, with its unforgettable views of the beau monde of Vienna, its frightening account of the Nazi goons moving in, and the surprising fight she had to make for her husband and father's freedom after they all got to England. Trudi is sharp, observant, funny, and full of love for her Walter; the book works as an important memoir of a unique time but also as a personal love letter. Sadly, Trudi died twenty years ago and could not know how many people are going to be affected by her work this time.

Trudi was a beautiful young woman whose bright red hair was always crowned by one of her chic hats. She had a hat manufactory and showroom in Vienna, employing twelve young women. Trudi's appetite for color, for pastry, and for male company are constants in these pages, which benefit from the keen observation of someone who worked in fashion. She happened to be in Paris in March 1938, doing her buying for the coming season, when she saw the headlines that the Germans had prepared to enter Austria. Her Parisian friends were shocked that she would consider a return home, but it was where her work, her Walter, and her parents were, and she could not stay away. Walter may have had many charms, but Trudi had repeatedly to make up for his passivity even when their situation was obviously dire. There was an epic of denunciation as janitors and maids took their revenge. Friends and customers disappeared. There were swastikas all over. Even the superficial hat business reflected the change and Trudi's hats became less gay than the ones she had seen in her Paris excursion: "I used more veiling to hide women's eyes. To hide their sorrow." It fell to Trudi to start hunting up visas, jobs abroad, exit permits, kind tax inspectors, and influential people in the millinery world. Her resourcefulness worked, but her family's problems were not over once they got to England. One of the many distressing parts of this memoir is to learn how Walter and Trudi's father were treated in their new home. All Austrian men were arrested and put into internment camps. Her uncomprehending father said, "But all the refugees are on England's side! We want England to win!" Nonetheless, as enemy aliens they were sent to a camp near Liverpool, where they could not have books or radios or visitors, and their mattresses were scant straw. Trudi had a new round of campaigning to get them out, and was eventually successful, but she could not change attitudes. When they were in the bomb shelter during a night of horrendous destruction, some Briton picked a fight with Walter whom he felt did not deserve the protection that an Englishman did.

I would love to know more about Trudi's life, and whether she returned to Vienna for visits or kept up friendships there after the war. Sadly, it seems as if this book, neglected when she published it, is all we will have. We know that Walter died in 1960, and that Trudi remarried, and that she died in 1992, and that she had no children. When the publishers of this volume tried to find out more about her, there was little else that could be found. Even the holder of the copyright of the original edition is unknown (the colophon page of this edition asks anyone with information to come forward). Trudi is gone forever, and had no idea that her heartbreaking book with its original eyewitness stories was to be a priceless legacy.

4 of 4 people found the following review helpful.
This Book Deserves More Respect
By John P. Rooney
"Some Girls, Some Hats And Hitler" by Trudi Kanter
Scribner, New York, 1982/2012

This book is subtitled, "A True Love Story". In many ways, it IS a love story, the love between Trudi and Walter. In other ways, the book is a concise history of the Nazi aggression from the 1938 Anschluss of Austria until the end of the war in Europe in 1945.

Trudi was part of a Jewish family in Vienna, Austria, when Nazi Germany began to expand and no country dared to stop them. In a personal way, Trudi documents the confusion and indecision of her family and so many other Jews. Trudi wanted to run from Nazi occupied Vienna, but found it difficult to convince her lover, Walter, and her parents. The parents were older and settled in their ways.

Bit by bit, Trudi explains how she worked, bribed and stood in line to obtain visas for herself and for Walter, so they could go to England. Using her hat business as a ploy, she gets to England first, and then strives to get Walter over. As she settles down in England, she uses her millinery contacts to arrange for English visas for her parents.

Every now and then, Trudi Kanter begins a chapter with a date. What struck me was September 3 1939. Then I realized that that was the day that England (and France) declared war on Germany. Her book is a mini-history of the important dates of the war in Europe. The author records how the English company took advantage of her hat designing skills and then paid her a minimum amount of money.

There were personal aspects of the book, including the joy of having her husband (she married Walter) Join her in England, and then her parents. Walter designed an important unit in a British aircraft, but did not take out a patent on the item. He also helped rescue people during an air raid. Despite all this Walter and then Trudi's father were interned as "enemy aliens". All these personal reminisces make the book an interesting and poignant history of one family during World War II.

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  • Published on: 2016-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.17" h x .51" w x 5.94" l, .0 pounds
  • Binding: Hardcover

About the Author
Lynn Hunt is the editor of "The New Cultural History" and the author of "The Family Romance of the French Revolution".

Barbara H. Rosenwein is Professor in the Department of History at Loyola University Chicago. She is the author of several books, including Emotional Communities in the Early Middle Ages (2006), Negotiating Space: Power, Restraint, and Privileges of Immunity in Early Medieval Europe (1999), and Reading the Middle Ages: Sources from Europe, Byzantium, and the Islamic World (second edition, 2014).

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[(The European Economy Since 1914 )] [Author: Derek H. Aldcroft] [Jan-2013], by Derek H. Aldcroft

  • Published on: 2013-01-10
  • Binding: Hardcover

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Sabtu, 25 Juni 2011

[J322.Ebook] Download Ebook The Strange Library, by Haruki Murakami

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The Strange Library, by Haruki Murakami

From internationally acclaimed author Haruki Murakami—a fantastical illustrated short novel about a boy imprisoned in a nightmarish library.
 
Opening the flaps on this unique little book, readers will find themselves immersed in the strange world of best-selling Haruki Murakami's wild imagination. The story of a lonely boy, a mysterious girl, and a tormented sheep man plotting their escape from a nightmarish library, the book is like nothing else Murakami has written. Designed by Chip Kidd and fully illustrated, in full color, throughout, this small format, 96 page volume is a treat for book lovers of all ages.

  • Sales Rank: #24293 in Books
  • Brand: Knopf Publishing Group
  • Published on: 2014-12-02
  • Released on: 2014-12-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.39" h x .34" w x 5.52" l, .35 pounds
  • Binding: Paperback
  • 96 pages
Features
  • New In Publisher Shrink Wrap

Amazon.com Review

An Amazon Best Book of the Month, December 2014: What an odd and oddly beautiful little book. A little boy enters a quiet library -- “even more hushed than usual,” we’re told in the opening line -- and is sent to Room 107, where he meets a creepy old librarian who leads him deep into a maze of dark catacombs beneath the library. There, we learn of the librarian’s ghoulish designs and the boy encounters a small man wearing the skin of a sheep and a pretty young girl pushing a teacart, their worlds now “all jumbled together.” Not even fresh-made doughnuts can sweeten the boy’s nightmarish predicament as the librarian’s prisoner. The Strange Library was designed and illustrated by famed book jacket designer (and frequent Murakami collaborator) Chip Kidd, whose moody and mysterious depictions of a child’s (and a parent’s) darkest dream match Murakami’s surreal imagination. It’s hard to discern the message. Maybe something about knowledge being free or the value of libraries. No matter. This is vintage Murakami and, at the same time, something entirely fresh. No one puts animal skins on humans like Murakami. No one would dare. --Neal Thompson

Review
“As if the work of Japanese fiction master Haruki Murakami weren't strangely beautiful by itself, his American publisher has just put out a stand-alone edition of his 2008 novella The Strange Library, in a new trade paperback designed by the legendary Chip Kidd. . . . The story itself, full of characters and images both awfully weird and utterly down to earth, transforms as you read it, becoming a living, nearly talismanic exercise in how to lift yourself out of the realm of the ordinary and allow the sentences to carry you into an alternate universe. . . . The mysterious pleasure of it all is the payoff when you read Murakami. Some scholar may explain it to us all one day, diagram the roots of his work in the Japanese storytelling tradition, in fable and myth, the special effects he imports from American literature. For me, now, I'm just enjoying basking in the heat of this hypnotic short work by a master who is playing a long game.” —Alan Cheuse, NPR

“[A] charming, surreal story. . . . Cleverly designed and illustrated by Chip Kidd. . . . Whether he is writing for adults or children, [Murakami] remains a suspenseful and fantastical storyteller.” —The Washington Post

“It had me enthralled . . . a story of childhood, death and reading, drawn in both words and pictures, like a fairytale, yet there was nothing childish about it. . . . Let the Murakami-mania begin (again).” —Arifa Akbar, The Independent (London)

“Murakami’s wry metaphysical play feels no less diffuse in this concentrated form. His usual fascinations—the instability of identity, the uses of knowledge, the oppression of memory—fade in with just enough time to fade out, offering just enough light to coax you forward, deeper into the dream.” —The Boston Globe
 
“Welcome . . . once again, to Murakamiland: sheep men, waifs, quests, attentiveness to little (odd) things, a labyrinth, a stairway down . . . absurdity and irrationality, the tension between the fantastical and the everyday, real and unreal, sadness and loss, then sudden shifts out of the blue, and plenty of the plain runic. . . . [The Strange Library] plumb[s] the kind of questions that leave us all wishing for more room to breathe: the singular and ever-solitary individual . . . the loss of identity (for better or worse), groping in the dark, self-understanding in an unknowable world, the dignity of idiosyncrasies. . . . The spirit and tone of the writing: As if Murakami is driving down a strange road, not know[ing] what’s to come around the next curve: alert, aware, but as in the dark as the reader. He is, however, a really good driver.” —The Christian Science Monitor
 
“Those who come to Mr. Murakami’s work for the first time will be elated by the clarity and wit of his style as translated by Ted Goossen, and intrigued by his characters and the situations they face. The Strange Library . . .  stays in the mind because of its combination of brutality with flippancy, but mostly for its oddness. . . . In its own odd way it is a fun read.”—Washington Times

“The Strange Library is a subteen’s No Exit. . . . Beautifully designed. . . . Perfect for coffee tables in the gladsome season. . . . Readers looking for a light diversion in a heavily loaded holiday season should enjoy this existential vision.” —The Miami Herald
  
“Japanese master Haruki Murakami's short fantasy tale The Strange Library, designed by Chip Kidd with sublime vintage Japanese graphics, takes readers on a wondrous journey to the mysterious underbelly of a Tokyo library.” —Elle
 
“Striking. . . . [This] dryly funny, concise fable has all the hallmarks of the author’s deadpan magic, along with some Grimm and Lewis Carroll thrown in for good measure. . . . The perfect trip down the rabbit hole.” —The Free Lance-Star (Fredericksburg)
 
“Murakami manages to endow [these] pages with all that we have come to expect from his more leviathan tomes. . . . [Chip Kidd’s illustrations] seem so essential that, having experienced Murakami’s story in this version, one can hardly imagine it in any other form.” —The Japan Times

“Dreamlike. . . . What is immediately clear . . . is just how much thought went into the design and illustrated content. . . . Published by Knopf, the U.S. edition is a Chip Kidd production, and while Kidd’s prolific portfolio demonstrates how comfortable he is working within any and all design idioms, The Strange Library is an in-your-face zoom-in on the faded comics qualities Kidd so often employs when working on Murakami titles. . . . [The illustrations] are what ignite the reader’s thoughts about what the narrator is up against. . . . The designs force the reader to actually read, and read into, the design. . . . Everything that comes to pass in The Strange Library, like in so much of Murakami’s fiction, questions the differences between what is real and what is not, and whether such a distinction even matters. . . . Evocative, atmospheric.” —The Millions

“Can a font be heart-breaking? I didn’t think so, until now. . . . More than anything, I found myself free-associating while reading The Strange Library: Kafka, Dalí, Nabokov, and Poe all came to mind.” —Jon Morris, PopMatters

“Designed by Chip Kidd, nearly every other page contains a beautiful image, often an abstract representation of what is happening to the narrator. This sinister story and gorgeous artwork come together like an unforgettable nightmare. This one has some major gifting potential.” —Bustle

“At once beguiling and disquieting—in short, trademark Murakami—a fast read that sticks in the mind. . . . Murakami loves two things among many: Franz Kafka (think Kafka on the Shore) and secret places (think 1Q84). This latest, brief and terse, combines those two passions. . . . It would take a Terry Gilliam, or perhaps a Kurosawa, to film Murakami’s nightmare properly.” —Kirkus Reviews
 
“This dryly funny, concise fable features all the hallmarks of Murakami's deadpan magic, along with splashes of Lewis Carroll and the brothers Grimm. . . . Full-page designs from Chip Kidd divide the sections, bolstering the book's otherworldliness with images from the text alongside mazelike designs and dizzying close-ups of painted faces.” —Publishers Weekly

About the Author
HARUKI MURAKAMI was born in Kyoto in 1949 and now lives near Tokyo. His work has been translated into more than fifty languages, and the most recent of his many international honors is the Jerusalem Prize, whose previous recipients include J. M. Coetzee, Milan Kundera, and V. S. Naipaul.

Most helpful customer reviews

87 of 91 people found the following review helpful.
A picture book for adults, from Murakami's younger days
By C. E. Stevens
Reading "Strange Library" feels like a trip down memory lane ... or perhaps "down a well" or "into a dark basement" would be the more appropriate analogy, given that this is Murakami we're talking about. Written in 1982, adapted as a illustrated, stand-alone short story in 2005, translated into English in 2014, it is important to remember that this is not "new" Murakami, but rather very early Murakami--to put it into context, the original short story was published at pretty much the same time as "A Wild Sheep Chase," just 3 years after his debut novel "Hear the Wind Sing."

As for the story itself, do not be deceived by the quick pace, young protagonist, the illustrations, and simple vocabulary: this is not a children's story, but rather a "fantasy for adults" as the book cover on the Japanese version states. The elements of magical realism are what you'd expect from entering-his-prime Murakami, the themes of detachment, loss, and coming-of-age (as well as the requisite mysterious, pretty young woman) will be familiar to veteran Murakami readers, and the ever-present menace, oppression, and threat of violence foreshadow the darker parts of some of his later works. The combination of cute pictures and whimsical elements with what really is a pretty heavy storyline heightens the dissonance--and, I would argue, the enjoyment--of this unique work. Despite being a quick read, it is one that sticks with you and flits around the subconscious long after you close the cover for the last time ... like a dream ... or perhaps a nightmare.

37 of 40 people found the following review helpful.
Allegory of grief and loss
By B. Moore
Strange Library is a dark work, powerful in its own terms, yet ultimately quite stark and grim.
The first thing to note is the exquisite design of the book. A Kindle version will not do. It is a beautiful object and is meant to be handled and appreciated for the artistry of presentation. There are all sorts of little things, like, for instance, a notation on the spine of the book that let's one know that one cannot read the book outside the precincts of the library. So, you, the reader, are also inside the strange library.

The voice of this work is vintage early Murakami: Whimsy, laconic humor, a mysterious beautiful girl, a sheepman, labyrinths, and worlds with permeable borders. Critics sometimes note a connection to the French theorist, Lacan, and a theme of ever deferred desire in Murakami. This may be true, but this work is more Heidegger and his notion that all being is "being towards death," for mortality is the overt threat and deep context that suffuses the entire tale with ennui.
For the rest of this, I am going to talk details, so this is a spoiler alert. Don't read further if you do not wish to discover the plot and denouement.

The modern West is secular, superficially optimistic, and more deeply nihilistic. This is my view. We distract ourselves from the ominous and ever present danger of death, which we nonetheless have hidden away as much as possible. Our consumerism is driven by the need for novel spectacle to keep darkness at bay. And yet, we are also still the heirs of Western Christendom. Why this excursus? Because Christianity tells a story of death's defeat. The most fundamental reality is deeply comic, because life has the last word.

So, even a secularist in the West will often bear a trace of religious belief. We like happy endings and we "believe" in them. Thus, Murakami's tale will be unsettling and disappointing, because it subverts hope. Death is victor in this fairly tale for adults.
If one wants a rationalist version that could explain the plot. Here it is. A little boy, thoughtful and sensitive, is living with a sick mother and his pet bird. At a subconscious level, he knows his mother is dying, but he doesn't want to face it. Then one day, his pet bird dies. The death of the bird makes grief and loss existentially real for him. The yawning abyss of loneliness that awaits should his mother die suddenly becomes overwhelmingly real. The little boy hides out in a library for three days. He loses his new shoes. When he returns home, his mother is sweet to him and doesn't berate him, for she is full of unspoken understanding.
The last page of the book is written in tiny print. The boy's voice is reduced to almost nothing. His grief wishes to make tragedy disappear. He announces that his mother has died of a mysterious illness and he is alone. Grim, single m.
In this context, the fabulous tale is an effort to escape what cannot be escaped. That is why the boy's allies disappear and his seemingly successful attempt comes abruptly to nothing. The boy's courteous nature before the menacing old man is a wish that decency and good manners would win out over evil and decay, but it just doesn't. More could be teased out, but this is probably already too prolix.

Bottom line: This is a good, early work, but you might feel cheated. You might feel it's unnecessarily bleak and mean. One might alternatively appreciate the work as a blend of adult insight, ingenious design, and child-like dreaming that embodies an idiosyncratic myth. The darkness at the end may appear a relief from sentimental and too cheaply bought victories.
This reader appreciates the latter possibility, but as a believer in what Peter Leithart calls "deep comedy," I was rueful of the ending. I prefer Murakami when he offers a more comic vision, though I suspect his metaphysical agnosticism more naturally tends in this direction.

1 of 1 people found the following review helpful.
‘“If all they did was lend out knowledge for free, what would the payoff be for them?”
By Reading Bifrost
‘“If all they did was lend out knowledge for free, what would the payoff be for them?”
“But that doesn’t give them the right to saw off the tops of people’s heads and eat their brains. Don’t you think that’s going a bit too far?’”

If you haven’t ever read a story by Murakami before, he’s odd. Very odd. I’m trying my best to review this without giving away any spoilers at all for those who just want to read the story and for those who like to dig for the deeper meanings.

That being said, The Strange Library is a short story presented in a lone book. The book itself is odd, the cover has to be flipped open and has very strange vintage Japanese illustrations to match the story. Everything about the story seems simple and straightforward- not digging deep into characters or plots- adding a richness and dreamlike quality to the story.

But, if you take it to the true Murakami level of reading (we’re talking deep philosophy here) then the reader just might see that the story really revolves around the boy, his pet bird, his mother, and death.

visit blog for original review with details (contains spoiler)

Overall The Strange Library was a fabulously odd short short story wether you’re just looking for a quick read or something you can sink your teeth into. I’d suggest getting a hardcopy instead of an ebook for this one just because the Chip Kidd design does add a lot to the story.

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Jumat, 24 Juni 2011

[T682.Ebook] PDF Ebook A Practical Guide to Prairie Reconstruction: Second Edition (Bur Oak Book), by Carl Kurtz

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A Practical Guide to Prairie Reconstruction: Second Edition (Bur Oak Book), by Carl Kurtz

Thirty-five years and many acres after planting his first patch of prairie flowers, Carl Kurtz is considered one of the deans of the great tallgrass prairie revival.�The Prairie Enthusiast�called the 2001 edition of his book a “readable and understandable introduction to prairie and the general steps in carrying out a reconstruction.” Now this second edition reflects his increased experience with reconstructing and restoring prairie grasslands.
Kurtz has completely revised every chapter of the first edition, from site selection and harvest to soil preparation, seeding, postplanting mowing, burning, and growth and development. He has written new chapters on establishing prairie in old pastureland and on the judicious use of herbicides, including a table that shows particular problem species, the types of herbicides that are most effective at controlling them, and the timing and method of treatment. New photographs illustrate species and steps, and Kurtz has expanded the question-and-answer section and updated the references and the section on midwestern seed sources and services.Tallgrass prairie is critical wildlife habitat and an important element in flood control and stream water treatment. The process of reconstructing and restoring prairie grasslands has made great strides in recent decades. Carl Kurtz’s indispensable, step-by-step guide to creating a diverse and well-established prairie community provides both directions and encouragement for individual landowners as well as land managers working with government agencies and nonprofit organizations that have taken up the task of reconstructing and restoring native grasslands.�

  • Sales Rank: #497187 in Books
  • Published on: 2013-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .40" w x 6.00" l, .31 pounds
  • Binding: Paperback
  • 80 pages

About the Author
Carl Kurtz is a professional writer, teacher, naturalist, and photographer. He and his wife and partner, Linda, live on a 172-acre family farm in central Iowa and provide a source for local-ecotype prairie seed.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Excellent Reference and "How to" guide book.
By Miltp1
This is an excellent, easy to read and follow Guide. The photo's are excellent as well. Carl is a recognized expert with lot's of personal experiences on his own prairie as well as others!

1 of 1 people found the following review helpful.
A Practical Guide to Praire Reconstruction - Carl Kurtz
By Melville H. Kennedy
Great reference!! Handy size!!

0 of 0 people found the following review helpful.
One Star
By Brad Smith
Not much to this one

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Kamis, 23 Juni 2011

[V335.Ebook] Download Ebook Primer on Indicator Development and Application: Measuring Quality in Health Care, by JCAHO

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Primer on Indicator Development and Application: Measuring Quality in Health Care, by JCAHO

Book by JCAHO

  • Sales Rank: #5938323 in Books
  • Brand: Brand: Joint Commission on
  • Published on: 1990-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .40" w x 8.50" l,
  • Binding: Paperback
  • 124 pages
Features
  • Used Book in Good Condition

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Senin, 20 Juni 2011

[I231.Ebook] Download MOVING MOUNTAINS the Art of Letting Others See Things Your WayFrom Collier

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  • Sales Rank: #15810207 in Books
  • Published on: 1974
  • Binding: Paperback

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Minggu, 19 Juni 2011

[Q134.Ebook] Download PDF Building a Partnership with Your Boss (Take-charge Assistant)

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Building a Partnership with Your Boss (Take-charge Assistant)

  • Published on: 1702
  • Binding: Paperback

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Selasa, 14 Juni 2011

[L584.Ebook] Download The Moment of Truth, by Shari Low

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The Moment of Truth, by Shari Low

The Moment of Truth…
Laney Cochrane loves her life.
With her friends Millie and Tash, she runs a proposal agency, organising the perfect setting for their clients to pop the question.
Finding that forever love is something Laney knows all about. Her marriage to Cameron is blissfully content and she has never doubted they’ll live happily ever after.
Then Cara Deacon walks into their office.
When Cara enlists their help to set up a romantic engagement to her boyfriend, they visualise a breathtaking scene under a moonlit Manhattan sky.
Laney’s excitement rises, until she realises that the man Cara intends to marry has the same name as her own husband.
Cameron Cochrane.
A bizarre coincidence? Identity theft? A cruel joke?
Or is Cara’s dream about to become Laney’s worst nightmare?
The only way to know for sure is to plan the proposal and see it through to the end.
But whose heart will be left intact after… The Moment of Truth?

Reviews for Shari…

More fun than a girl’s night out! - OK! magazine

"Touching stuff" - Heat

"Totally captivating and it felt like I'd lost a new best friend when it came to the end" - Closer Magazine

“Shari Low writes with humour and skill about the complicated subtleties of adult relationships” Dorothy Koomson

“Great fun from start to finish” Jenny Colgan

"There are only two words for Shari Low: utterly hilarious. I laughed like a drain." Carmen Reid.

"One of the funniest books I've ever read!" Marisa Mackle

About the Author
Over the last decade, fourteen of Shari Low’s novels have been published in the UK and internationally, including those written under the pseudonyms Ronni Cooper (Rock Chicks and Manhattan) and Millie Conway. She is also one half of the writing duo Shari King, a pseudonym for her partnership with TV presenter Ross King. Their debut novel Taking Hollywood was released in 2014 and the sequel Breaking Hollywood will be published in the summer of 2015.
For ten years Shari has written a newspaper column in the Daily Record. She also pens a hugely popular weekly literary page for the same newspaper, writes for television, magazines and is a regular contributor to various radio shows.

After living in many cities and countries, including Shanghai, New York, Amsterdam, Hong Kong and LA, Shari is now based in her home city of Glasgow, where she lives with her husband, two sons and a labradoodle.

Shari’s website is at www.sharilow.com.

  • Sales Rank: #14755 in eBooks
  • Published on: 2015-02-20
  • Released on: 2015-02-20
  • Format: Kindle eBook

About the Author
Shari Low has published fourteen novels, including those penned under her pseudonyms, Ronni Cooper and Millie Conway. She is also one half of the writing partnership Shari King, with television presenter Ross King. Their first novel Taking Hollywood was published in 2014, and the sequel Breaking Hollywood will be released in summer 2015. Shari also writes a weekly opinion column and is the book editor for the Daily Record newspaper. She has written for television and is a regular radio contributor.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Enjoyable read
By NenetteU
Funny and witty; good for a lazy afternoon read, but not if you are looking for something deep.

Laney found out about her husband's infidelity when the woman he was seeing hired her company to organize the marriage proposal (boyfriend needed some shoving, so she was taking the lead).

There was a nice play on the lives of Laney's friends and business partners (Tash and Millie), and that made the story more interesting. The author also has a very lively writing style that put this seemingly cliche story up a notch.

2 of 2 people found the following review helpful.
A Tricky Premise
By CJA
When I first saw this book in my Kindle library , I wondered why I had ordered it. Now that I've read it, I'm glad I did. Shari Lowe has taken a difficult subject and made it really interesting. Three friends run an agency that arranges memorable proposals for couples. One of the partners is married, and the trio is surprised one day when a young woman comes in and arranges a proposal from the married girl's husband to her. It sounds so strange! But it worked. It's very much an attention holding book. All three of the partners, who are completely different, are likable in their own ways. I don't want to give too much away, so I will just say go ahead and give this a chance. It's a quick read, it will hold your attention, and it's very interesting. If this review sounds Bland, don't blame the book. The review is pretty ordinary, the book is pretty original. It is an original way of dealing with a problem that is age-old. Enjoy!

2 of 2 people found the following review helpful.
Easy read
By Kathleen Pellicot
The was a very interesting book. It will keep you trying to find out the person who is responsible for the things that is happening until the end.

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Senin, 13 Juni 2011

[J461.Ebook] Get Free Ebook 2016-2017 Compensation Handbook for Church Staff, by Richard R. Hammar

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Get the confidence you need to know your compensation plan is reasonable and fair. The 2016-2017 Compensation Handbook for Church Staff clearly presents comparisons on key compensation components for the following positions: -Solo Pastor -Senior Pastor -Associate Pastor -Executive/Administrative Pastor -Youth Pastor -Adult Ministry Director -Children's/Preschool Director -Music/Choir Director -Administrator -Bookkeeper/Accountant -Administrative Assistant -Custodian -Media/Communications Director -Part-time Musician/Vocalist -Part-time Child-Care Providers Based on national survey results, the compensation profiles are classified by part-time, full-time, church size, income budget, and geographical setting. Each position's compensation levels are presented based on personnel characteristics including: years employed, denomination, region, gender, and educational training. In addition, compensation profiles are broken down by categories so you can easily determine: -Base salary -Retirement -Health insurance -Housing allowance & parsonage -Life insurance -Continuing education With the easy-to-use Compensation Handbook for Church Staff, you can compare your plan to other churches that have similar positions and demographics and create compensation packages that are both impartial and reasonable.

  • Sales Rank: #134179 in Books
  • Published on: 2015
  • Binding: Paperback
  • 372 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Must Have
By Jayar
Thorough breakdown by numerous factors and types and quite helpful in evaluating where our congregation fits currently and changes to be considered after staff evaluations.

1 of 1 people found the following review helpful.
Great Product
By Richard Cates
Great resource to help set salaries in our church.

0 of 0 people found the following review helpful.
Five Stars
By C. Brown
Very helpful and easy to use.

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